True, every once in a while a character might have "ice blue" eyes or "chocolate brown" eyes or, in some rare cases (including Anne of Green Gables and Katniss Everdeen), gray eyes, but none of these colors appear with nearly the frequency of green eyes. Green eyes are everywhere. It's as if an epidemic raged though the worlds of fiction, and the only noticeable symptom was a change in eye color. Even my own beloved Jane Eyre insists on having green eyes, though Rochester calls them blue*. From pop-genre novels like Dan Brown's The Da Vinci Code to gorgeous, heart-breaking literary fiction like Aimee Bender's The Girl with the Flammable Skirt, novels seem bursting with green-eyed characters.
In a grad school workshop, I made this complaint when my major professor, Reg McKnight, began to laugh in the big-hearted way of his that made us all love him. "Why are you laughing at me?" I asked him. "I'm not," he said. "I'm laughing because I'm pretty sure I gave the main character in my last novel green eyes."
Even among the best writers, green eyes have becomes fiction's short hand for "pay attention to this person, s/he is *interesting.*" When I read that a character has green eyes, I think what I'm supposed to be picturing is something like this:
When I know full well that actual green eyes are probably closer to this:
And don't get me wrong. This is by all means an interesting eye, but is it any more inherently interesting than this eye?
Or this one?
And anyway, don't we all know that eye color no more determines a person's intelligence or charisma or abilities than their skin color does? To misquote Martin Luther King, Jr., I would like the chance to judge a character on the content of their character, not the color of their eyes.
I must add an aside here that I have no bias against green-eyed people in life, only in fiction. My husband has green eyes, and his eyes are, no doubt, among the reasons I find him so attractive... though his sideburns and inveterate love of flannel have a lot to do with it as well.
My point is this: I think as writers we have to up the ante for ourselves. If a character is interesting, we cannot attempt to show this by resorting to the least interesting of all fictional eye colors. We must instead show it in surprising but character-appropriate action and dialogue. In other words, if we want an interesting character we actually have to make an interesting character.
To prove my point, I give my student writers this challenge: write down the eye color of ten people you know well who are not in class. I then ask them to come back next time and tell me if they were right. They come back blushing, embarrassed not to know the eye color of the people whom they love best. But why be embarrassed? My students weren't paying attention to the eye color because they were paying attention to what mattered most about their friends and family. They were paying attention to the goofy way those loved ones laugh, or the way they substituted in nonsense words for curse words, or the way they rub a shoulder, or the way they pet their dog absent-mindedly as they're reading the paper, or to any other of a million gestures and quirks that show who they are and why we love them.
As writers, that's exactly what we want to be paying attention to.
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*Note: Jane and Rochester's disagreement over her eye color is, for me, why Charlotte Bronte gets away with a green-eyed character. Whom do we trust? Is Jane unreliable? Or is Rochester just not paying very close attention to her? Either way, the disagreement isn't a throw away detail. Rather, it does some work in this narrative, suggesting more about these characters than just physical appearance.
